Reception - The 48-Hour Musicals: Encore!

"J. Oconer Navarro’s “Reception” also is about love and loneliness as one actress (a fervent Rachel Klippel) portrays both Melanie, an anxious bride heading to the altar, and her mother, Elaine." -Hedy Weiss, Chicago Sun-Times
Full Review
Full Review
The Light in the Piazza

"An actress has to play her struggle and her zest for living, yet still make us see that she is unconventional. So it goes here. Klippel's all-in performance oozes immaturity, uncertainty, sensuality and hope, in all the right ways." -Chris Jones, Chicago Tribune
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"...Rachel Klippel, so real, so unaffected, so headstrong in her way, and with a superb voice." -Hedy Weiss, Chicago Sun-Times
Full Review
"Rachel Klippel’s innocence together with her fine voice makes for a empathetic character. We cheer for Clara." -Tom Williams, Chicago Critic
Full Review
"Clara... is handled nicely by Rachel Klippel, who has a great set of pipes and handles this difficult, almost operatic score with great ease." - Alan Bresloff, Around the Town Chicago
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"Rachel Klippel creates an endearing Clara while brilliantly downplaying her "secret" disability." -Venus Zarris, Chicago Stage Review
Full Review
Full Review
"...Rachel Klippel, so real, so unaffected, so headstrong in her way, and with a superb voice." -Hedy Weiss, Chicago Sun-Times
Full Review
"Rachel Klippel’s innocence together with her fine voice makes for a empathetic character. We cheer for Clara." -Tom Williams, Chicago Critic
Full Review
"Clara... is handled nicely by Rachel Klippel, who has a great set of pipes and handles this difficult, almost operatic score with great ease." - Alan Bresloff, Around the Town Chicago
Full Review
"Rachel Klippel creates an endearing Clara while brilliantly downplaying her "secret" disability." -Venus Zarris, Chicago Stage Review
Full Review
Terrence McNally's Masterclass

"…played ideally by vocal powerhouse Rachel Klippel (as Sophie)…" -Hedy Weiss, Chicago Sun-Times
Full Review
Full Review
Carnival

"...Ms. Klippel is ideal as the innocent orphan who runs away to join the circus. Petite and child-like, the wide-eyed Ms. Klippel’s trained lyric soprano beautifully caresses Merrill’s
words and melodies." -Gayle Kirshenbaum, Chicago Theatre Review
Full Review
words and melodies." -Gayle Kirshenbaum, Chicago Theatre Review
Full Review